Mary Queen of Scots & Henry VIII's "Rough Wooing"

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Mary Queen of Scots & Henry VIII's "Rough Wooing"

When Henry VIII couldn't use the Treaty of Greenwich to take the crown of Scotland through a marriage between the infant Mary and his son Edward, he decided to burn the country to the ground.

Sources:

Fraser, Antonia. Mary Queen of Scots. London: Weidenfeld & Nicolson, 1969.

Merriman, Marcus. The Rough Wooings: Mary Queen of Scots, 1542–1551. East Linton: Tuckwell Press, 2000.

University of St Andrews. "The 'Rough Wooing' Is Offensive and Wrong, Argues Leading Historian." News, University of St Andrews, March 2026. https://news.st-andrews.ac.uk/archive/the-rough-wooing-is-offensive-and-wrong-argues-leading-historian/. Reports Dr. Amy Blakeway's argument that "Rough Wooing" is an anachronistic, 18th-century euphemism that legitimizes the sexual violence of the period and should be retired in favor of "the Anglo-Scottish Wars of the 1540s."

Warnicke, Retha M. Review of The Rough Wooings: Mary Queen of Scots, 1542–1551, by Marcus Merriman. Albion: A Quarterly Journal Concerned with British Studies 34, no. 2 (Summer 2002): 299–300.

Image Sources:

By order of appearance

Jacob-Ferdinand Voet, Portrait of Anna Caffarelli Minuttiba, late 17th century, oil on canvas, San Francisco, de Young Museum of Fine Art

Hans Holbein the Younger (workshop), Portrait of Henry VIII, 1540, oil on panel. Galleria Nazionale d'Arte Antica, Palazzo Barberini, Rome.

Corneille de Lyon, Portrait of James V of Scotland, c. 1536. Best candidate: National Trust Collections

Corneille de Lyon, Portrait of James V of Scotland, c. 1536. National Trust Collections

William Scrots, Portrait of Edward VI (1537–1553), 1546, oil on canvas

William Scrots, Edward VI (1537–1553), c. 1546. Royal Collection Trust

William Scrots, Portrait of Edward VI (1537–1553), 1546, oil on canvas

John Everett Millais, The Ransom, 1860-62, Getty Museum

William Scrots, Portrait of Edward VI (1537–1553), 1546, oil on canvas

R. S. Marriotts, Lord Grey of Wilton’s Charge at Pinkie, 1873, wood engraving. From James Grant, British Battles on Land and Sea, vol. 1 (London: Cassell, Petter & Galpin, 1873), 57. Digital image courtesy of the British Library / Wikimedia Commons.

Giovanni Andrea Darif, The Abduction of the Venetian Wives, 1829, oil on canvas

Giovanni Andrea Darif, The Abduction of the Venetian Wives, 1829, oil on canvas

Giovanni Andrea Darif, The Abduction of the Venetian Wives, 1829, oil on canvas

Francis II, King of France, and his wife, Mary Stuart, Queen of France and Scotland, 1573. Miniature illumination on parchment from the Book of Hours of Catherine de' Medici. Bibliothèque nationale de France, Département des Manuscrits, Nouvelle acquisition latine (NAL) 82, folio 154v.